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BIOGRAPHY ( return) | ||||||||
2021 - Espace CARNOT Galery
Beautiful exhibition of the Artist
painter XJF, oil paintings, engravings on polychrome copper, on the theme
of the voyages... of Asia in Japan and in the USA, a moment of dreams in
this difficult year of confinement... The Mayor of Chatelaillon Plage Stéphane
VILAIN honored us with his presence, accompanied by the President of the
France Etats Unis Association of Charente Maritime, Mrs. Marie Christine
BASTIN LERAY. Sud Ouest
July 2019 Sud Ouest Xavier STERKE, art in all things... Xavier Sterke settled down in Chatelaillon
beach, this painter is originally from the Paris. His father worked in a
flour mill, his mother, a florist, started designing bouquets inspired by
the ikebana. It was already a question in his life of art and aesthetic
composition. At the age of 10, he already loved Picasso and Dali and took
courses in ceramic drawing. He will take courses at the Ecole des Beaux
Arts de Blois. Later on, he will start creating canvases with original formats.
He navigates between abstraction and hidden figuration with a palette where
ochres, greens and blues predominate.
Walking on the sand... Chatelaillon Plage Alexandre Poussin - Céline Josset - Alain Coudert - Antonio Malmo Xavier Sterke reconciles me with cubism because he feminizes it, in roundness, in finesse, in flexibility. With him it becomes a game of light, a chromatic variation, a trap bordering on trompe l'oeil. His cubism is a grid of reading of the living, as if he walked his glance on the world with exponentials and hyperboles, fractals and protractors of angles to pierce the architectural secrets of it. With Xavier Sterke, cubism becomes organic. Because it does not violate the living, because it makes it dance.His reconstruction animates, his natures are not dead, and this is what makes me love him. His partitioning decompartmentalizes as the stained glass windows of the cathedral of Chartres liberate the light, his cubism wants to be more kaleidoscopic than atomic, his reconstruction of reality is more in mosaic than in analysis. Nothing twisted in him. Even if there are only curves. What could be more dull and sad than a heap of brown violin decomposed on grey newspapers and broken dishes. None of that at Sterke's. On a white wall, in the cold winter twilight, they pour out quantities of calories, dance on the walls, bring this energy and this joy so proper to this continent. There are harlequins and pastry cooks in this man: sugar, almonds and carnival, women, fruits and festivities, no cemeteries, no Guernica. Ah, his felucca jibs on a background of granite blocks from Aswan! Valery's doves can fly away... With Sonia and Alexandre POUSSIN -
Great success at the adventure film festival of La Rochelle in this November 2019...
"Art au Quotidien" Exhibition... 15 years after its creation, L'Art
au Quotidien has positioned itself as a major event of the craft industry
in France, thanks to the loyalty of the public and the support of its partners.
If his first exhibition dates back to 2002 in Vineuil, he has made many others since then: Arches gallery in Paris Marais, then Rome, Barcelona, Florence, New York, with many awards. "The vignettes of all the countries of my grandfather philatelist gave me the desire to travel the world. In his paintings, there is always something else to see behind the surface. In Venice, colors that are not those of Italy. Towards Aswan, a veiled apparition of Akhenaton! Alain Vildart la Nouvelle République.
A Recomposed Figuration.
By Céline Josset Art Magazine «Univers des Arts» May
Antonio MALMO. International
art critic. Expert en Art Contemporain. Correspondant de Il Pungolo». Académie de Firenze. Corrispondente Nationale dell’Assaciazione Storica . To deepen his painting can mean a mysterious and fascinating journey in the meanders of his sensibility, of his search of new expressive models, of new and varied outlets to better express his ideas, his interesting proposals.
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